Epic Instrumental Composition "Peaceful to Epic" by AlexLouder

The instrumental composition Peaceful to Epic by AlexLouder can be categorized in terms of lyric-epic music. The melody begins with a calm and sounding vibraphone and horns, which convey to the listener the theme of peace and goodness, convey a mood filled with confidence, uncompromising development. This is a development, since in the finale the theme is expanding and expanding to a truly epic scale, which is perfectly conveyed by the full orchestra with a powerful sound of brass instruments. This is the apotheosis of development. This is the theme of complete and unconditional success and victory!

Traditional pop music

Traditional pop music - in modern English-language terminology, popular music before the rock-n-roll era, that is, western, primarily American, popular music in the style that was standard until it was replaced by rock-and-roll in the mid-1950s.

It is this term that is used by the American National Academy of Art and Science of Recording, which is the organizer of the Grammy Awards (which are also awarded in this category). Grammy Award for Best Traditional Vocal Pop Album - awarded since 1992. In the first year, the category was called Best Traditional Pop Performance, in 1993–2000. Best Traditional Pop Vocal Performance, from 2001 to the present Best Traditional Pop Vocal Album.

Futuristic and Magical Background "Magic of Science" by AlexLouder

Music is a powerful emotional charge, so even the rationale for its absence must be caused by certain emotional factors.

The purpose of music is to translate a certain mood and bring about certain associations, and some of these associations, if I may say so, are generally accepted.

Surf Rock

Surf (surf pop, surf music) - American music of the early 60s of the XX century, originally beach music, that is, for resort visitors and especially for surfers. The music is mostly instrumental, the beginning of the surf is Dick Dale’s original guitar style, from which it all began. Originally based on simple cyclic melodic drawings, the surf gradually became more significant musically. Thanks to Dick Dale and The Ventures, surf rock improved and achieved some success in the 1960s. Then followed the years of surf stasis, when even the founders of the genre (including The Beach Boys) departed from surf rock.

AlexLouder's Epic Track "Adventure and Exploration"

As you know, all the richness of content in music can be divided into three figurative spheres: lyrical, dramatic and epic.

Lyric of them is most extensive and comprehensive, as embodies man's inner world, character, personality, with all its thoughts, feelings, experiences. The panorama of lyrical images covers a huge range - from a simple children's song to philosophical generalizations. A characteristic feature of the lyrical content is the concentration of the subjective attitude to the objective world.

Swamp Pop

Swamp Pop is a popular music genre shaped by the indigenous people of South Louisiana (the Acadian region) and the adjacent part of South East Texas. The swamp-pop ancestors were the Cajuns, who experimented with sound in the 1950s - early 1960s; the genre itself combines a new Orleans rhythm and blues country and traditional musical currents of French Louisiana. Although swamp-pop is a rather vague term, the genre has a large audience in its native regions, South Louisiana and southeastern Texas, this musical direction is also quite popular in the United Kingdom, Northern Europe and Japan.

Comic Background Instrumental Melody "Comedy Town" by AlexLouder

The overwhelming majority of musical "jokes" and "humorous ones" have practically nothing in common with humor in our understanding. Such well-known plays like Joke (Badinerie, from Orchestral Suite No. 2, B Minor) by Johann Bach, Humoresque (Humoresque, op. 101, No. 7) by Antonin Dvorak or Humeresque (op. 10, No. 5) by Sergei Rachmaninov, can cause admiration, but it is unlikely to cause just laughter - even with a very complex chain of cultural associations. These works are rather peculiar "jokes of geniuses", written easily, not quite seriously. They should be treated with the same ease, but it is not necessary to laugh at the same time.

New Romantics (ending)

Music style

Music sources "new romantics" were electronic minimalism, glem- and krautrock. At the same time (unlike the glam stars of the early 70s), neo-romanticists practically did not use guitars, replacing them with synthesizers; The drum machines took the place of the live drums. However, in the compositions of many well-known electropop groups, real drummers also played: Richard James Burgess (Landscape), Warren Cann (Ultravox), Rusty Egan (Visage).

The music of the “new romantics” was mainly electropop (or synthpop) and was, as a rule, danceable. Along with the legacy of Bowie and Roxy Music, disco, funk and rhythm-and-blues were actively used by the “new romantics” as musical sources.

New Romantics

The New Romantics is a musical direction that emerged in the UK in the early 1980s and (as part of a new wave) that had a significant impact on the development of the English pop and rock scene. “New Romantics” emerged as an alternative to punk culture that was ascetic in many of its manifestations and not only didn’t carry social protest, but also (according to Virgin Encyclopedia of 80’s Music) “sang glamor, bright styles and hedonism”.

The rise of the movement coincided with the early flowering of the music video culture. The latter served as a catalyst for the process, since it was precisely in the calculation of the video clips that “new romantics” created incredible hairstyles (A Flock of Seagulls) and fancy robes (Spandau Ballet), actively using bright cosmetics.

Instrumental Composition "Sad Waltz" by AlexLouder

AlexLouder's “Sad Waltz” is written in a style that can be called “Russian waltz”. This is a very special style. This very “Russian Waltz” is not at all a Viennese waltz in the style of the father and son Strauss, not a Parisian - with the same accordion and cracked baritone French chanson, and not the exquisite Chopin waltz. Russian Waltz is a completely different phenomenon, in many respects even more literary than musical.

Well-bred obscenity

The ability to waltz today seems to be a sign of aristocracy, and after all some two centuries ago this dance was considered completely indecent. In Russia, the waltz was under strict prohibition, which secured the order of Paul I to the military governor of St. Petersburg Alexei Arakcheev on December 1, 1797. Together with the waltz, the emperor forbade other "indecent phenomena": the wearing of whiskers, tail coats, and "jackboots, referred to as boots." In pristine Britain, until the middle of the 19th century, dance, in which partners approached each other very closely, was condemned by the official press and the clergy. So even the Queen Victoria, who ruled at that time, did not advertise that she actually loved to waltz. In 1834, for the first time, the waltz was publicly danced in the USA, in Boston, and outraged public figures called the dance "indecent and violating any decency".

Crunkcore

Crunkcore (also called crunk punk, screamo-crunk and scrunk) is a musical genre that combines crane with elements of screaming. The American edition of The Phoenix gave the following definition to the genre: “Crunkcore is a combination of East Coast minimalist hip-hop, techno-breakdown, simple drum machine rhythms, hysterical vocals and personal poetics.” In another article, the magazine called crunkcore "a mixture of Panic! at the disco and electronic music. The subculture that forms around the genre is called “Scene Kids” (English Scene Kids).

Critics call the main performers of this genre - Brokencyde, 3OH! 3, Millionaires, Breathe Carolina, I Set My Friends on Fire, Family Force, Kesha and MC ParaMaKo.

Funny Instrumental Music "Funny Background" by AlexLouder

Probably, many people noticed that if you listen to some vigorous and rhythmic music in the morning, it will help you wake up and make you jump out of bed in the desire to change your life for the better. Also, cheerful and energetic music influences the human psyche and makes him change sadness to joy, and sorrow to optimism and vitality. This is the state that occurs while listening to funny instrumental background melody "Funny Background" by AlexLouder.

K-Pop (ending)

Popularity and influence

Having visited many different concerts, I was amazed by Korean pop music. The staging, choreography and performance were amazing, but more importantly, I felt the soul of the music. Korean music has a bright future. Quincy Jones in an interview with a Korean magazine.

The largest consumer of Korean pop music is Japan, this genre is 7.81% of its music market, and this share is growing. In 2011, sales of Korean performers in the country exceeded $ 300 million, which is 22% higher than last year, despite the overall decline in sales in the Japanese music market.

K-pop

K-pop (Korean pop) is a musical genre that originated in South Korea and incorporated elements of Western electropop, hip-hop, dance music and modern rhythm and blues. Appearing initially as a musical genre, K-pop has become a large-scale musical subculture with millions of fans among young people all over the world.

According to the author of the music magazine Rolling Stone, K-pop is a “mixture of trendy Western music and high-energy Japanese pop” and “hunts down the heads of listeners with the help of repetitive" clinging ", sometimes in English." K-pop "follows the line of mixing styles, combines singing and rap and emphasizes action and powerful visual effects." Although in Korea itself, this term can be understood as almost any direction of Korean pop music, outside the country, kei-pop refers exclusively to music played by so-called idols similar in concept to Japanese idols, performed in a mixture of the above genres.

Comedy Background Instrumental "Sneak" by AlexLouder

The music is mysterious, intriguing and mystical. It is restrained and focused. Melody slightly thoughtful and heartfelt. The rhythm is restrained and enticing. The pace is slow, calm. The harmony is weird, mysterious and a little secretive.

Surprisingly, this, in general, humorous and even comedy composition by AlexLouder somehow reminded me of the theme in the famous and cult game Myst. Remember the Myst Theme (1993), in which Robin Miller was responsible for the music?

Futurepop

Futurepop - the name of the musical direction, which appeared in the second half of the 90s. This is a mixture of electro-industrial with synth-pop and elements of club electronic music.

Electro-industrial (also called electro (German Elektro (not to be confused with the sub-genre of dance music)) is a musical genre that arose in the 1980s mainly in Canada and the Benelux countries as a result of the mutual influence of EBM and other post-industrial genres and developed in the late 1980s and the first half of the 1990s. In addition to the directness of the musical structures inherited from EBM, and the methods of constructing compositions taken from classical industrial, electro-industrial is characterized by the presence of deep, multi-layered and false sound. The pioneers in this genre are considered to be the Skinny Puppy and Front Line Assembly groups. In the 1990s, the directions of the dark electro and agrotec branched off from the genre. The fan base of this genre is tightly connected with the cyber-ready subculture.

Romantic Waltz by AlexLouder

Music has an amazing ability to influence the sensual life of people in the most subtlest details. But science does not know what exactly gives music this power over our psychological state. This fully applies to the Romantic Waltz of AlexLouder. This small instrumental piece evokes some associations with the Blue Danube of Johann Strauss.

Waltz know everything. It is danced at proms and weddings, at the famous Vienna Balls and in rural clubs. Waltz is one of the most romantic and favorite dances, uniting generations and plunging us into a state of some euphoria. Waltz can not be attributed to the ancient dances. Compared with the Allemande or chiming clock, the waltz is young. Its age is estimated at less than two centuries. But nobody knows the exact origin of this dance.

Electroclash

Electroclash is a subgenre of synthpop.Elektroclash - style of electronic music, which absorbed the elements of a new wave, punk and dance electronics. On the one hand, electroclash is a parody of early synth-pop and electronic music in general of the 1980s, on the other hand, it is a rethinking of electronic music as part of new trends and experiments.

History of style

Elektroclash exploits the musical traditions of the 1980s using synthesizers, often early analog, drum machines. The style is characterized by retro sound, musical minimalism, combined with visual images of the 1970-1980s, vintage electro, disco and punk aesthetics. There is no definite “corporate” sound (such as goa or eurodance), rather we can talk about a certain mood. The range of style is very wide - from retro in the style of "Abba" (Ladytron) to minimal techno (Legowelt). It often uses elements of eight-bit and tracker music, although this is not necessary. Prototypes of electroklash aesthetics can be seen in the cult film "Liquid Sky". Suicide is considered one of the founders of the electric clash.