Traditional pop music

Traditional pop music - in modern English-language terminology, popular music before the rock-n-roll era, that is, western, primarily American, popular music in the style that was standard until it was replaced by rock-and-roll in the mid-1950s.

It is this term that is used by the American National Academy of Art and Science of Recording, which is the organizer of the Grammy Awards (which are also awarded in this category). Grammy Award for Best Traditional Vocal Pop Album - awarded since 1992. In the first year, the category was called Best Traditional Pop Performance, in 1993–2000. Best Traditional Pop Vocal Performance, from 2001 to the present Best Traditional Pop Vocal Album.

Surf Rock

Surf (surf pop, surf music) - American music of the early 60s of the XX century, originally beach music, that is, for resort visitors and especially for surfers. The music is mostly instrumental, the beginning of the surf is Dick Dale’s original guitar style, from which it all began. Originally based on simple cyclic melodic drawings, the surf gradually became more significant musically. Thanks to Dick Dale and The Ventures, surf rock improved and achieved some success in the 1960s. Then followed the years of surf stasis, when even the founders of the genre (including The Beach Boys) departed from surf rock.

Swamp Pop

Swamp Pop is a popular music genre shaped by the indigenous people of South Louisiana (the Acadian region) and the adjacent part of South East Texas. The swamp-pop ancestors were the Cajuns, who experimented with sound in the 1950s - early 1960s; the genre itself combines a new Orleans rhythm and blues country and traditional musical currents of French Louisiana. Although swamp-pop is a rather vague term, the genre has a large audience in its native regions, South Louisiana and southeastern Texas, this musical direction is also quite popular in the United Kingdom, Northern Europe and Japan.

New Romantics (ending)

Music style

Music sources "new romantics" were electronic minimalism, glem- and krautrock. At the same time (unlike the glam stars of the early 70s), neo-romanticists practically did not use guitars, replacing them with synthesizers; The drum machines took the place of the live drums. However, in the compositions of many well-known electropop groups, real drummers also played: Richard James Burgess (Landscape), Warren Cann (Ultravox), Rusty Egan (Visage).

The music of the “new romantics” was mainly electropop (or synthpop) and was, as a rule, danceable. Along with the legacy of Bowie and Roxy Music, disco, funk and rhythm-and-blues were actively used by the “new romantics” as musical sources.

New Romantics

The New Romantics is a musical direction that emerged in the UK in the early 1980s and (as part of a new wave) that had a significant impact on the development of the English pop and rock scene. “New Romantics” emerged as an alternative to punk culture that was ascetic in many of its manifestations and not only didn’t carry social protest, but also (according to Virgin Encyclopedia of 80’s Music) “sang glamor, bright styles and hedonism”.

The rise of the movement coincided with the early flowering of the music video culture. The latter served as a catalyst for the process, since it was precisely in the calculation of the video clips that “new romantics” created incredible hairstyles (A Flock of Seagulls) and fancy robes (Spandau Ballet), actively using bright cosmetics.

Crunkcore

Crunkcore (also called crunk punk, screamo-crunk and scrunk) is a musical genre that combines crane with elements of screaming. The American edition of The Phoenix gave the following definition to the genre: “Crunkcore is a combination of East Coast minimalist hip-hop, techno-breakdown, simple drum machine rhythms, hysterical vocals and personal poetics.” In another article, the magazine called crunkcore "a mixture of Panic! at the disco and electronic music. The subculture that forms around the genre is called “Scene Kids” (English Scene Kids).

Critics call the main performers of this genre - Brokencyde, 3OH! 3, Millionaires, Breathe Carolina, I Set My Friends on Fire, Family Force, Kesha and MC ParaMaKo.

K-pop

K-pop (Korean pop) is a musical genre that originated in South Korea and incorporated elements of Western electropop, hip-hop, dance music and modern rhythm and blues. Appearing initially as a musical genre, K-pop has become a large-scale musical subculture with millions of fans among young people all over the world.

According to the author of the music magazine Rolling Stone, K-pop is a “mixture of trendy Western music and high-energy Japanese pop” and “hunts down the heads of listeners with the help of repetitive" clinging ", sometimes in English." K-pop "follows the line of mixing styles, combines singing and rap and emphasizes action and powerful visual effects." Although in Korea itself, this term can be understood as almost any direction of Korean pop music, outside the country, kei-pop refers exclusively to music played by so-called idols similar in concept to Japanese idols, performed in a mixture of the above genres.

Futurepop

Futurepop - the name of the musical direction, which appeared in the second half of the 90s. This is a mixture of electro-industrial with synth-pop and elements of club electronic music.

Electro-industrial (also called electro (German Elektro (not to be confused with the sub-genre of dance music)) is a musical genre that arose in the 1980s mainly in Canada and the Benelux countries as a result of the mutual influence of EBM and other post-industrial genres and developed in the late 1980s and the first half of the 1990s. In addition to the directness of the musical structures inherited from EBM, and the methods of constructing compositions taken from classical industrial, electro-industrial is characterized by the presence of deep, multi-layered and false sound. The pioneers in this genre are considered to be the Skinny Puppy and Front Line Assembly groups. In the 1990s, the directions of the dark electro and agrotec branched off from the genre. The fan base of this genre is tightly connected with the cyber-ready subculture.

Synthpop

Sinti-pop (also known as techno-pop) is a genre of electronic music that became famous in the 1980s, in which the synthesizer is the dominant musical instrument. The genre originated in Japan and the United Kingdom during the post-punk era and as part of a new wave of the late 1970s and until the mid-1980s.

The pioneers of synth-pop were the Japanese group Yellow Magic Orchestra and the British group Ultravox and The Human League, the latter widely using monophonic synthesizers to create music with a simple and strict sound. After breaking through Gary Newman and his Tubeway Army band in the UK singles chart, a large number of bands achieved success in the early 1980s, including Soft Cell, Orchestral Manoeuvres in the Dark, Japan and Depeche Mode in the UK, while in Japan The success of Yellow Magic Orchestra opened the way for such synthpop groups like P-Model, Plastics, Hikashu. The development of low-cost polyphonic synthesizers, the emergence of the MIDI standard and the use of drum machines has led to more commercial and affordable synth-pop sound. The merger with the new romantics movement, along with the growth of MTV, led to the success of a large number of British synthpop groups, including Duran Duran and Spandau Ballet, in the United States.

Power Pop

Power pop is a genre of popular music that emerged at the junction of pop and rock styles in the late 1960s and combined melodiousness, vocal harmony and riff song structure in which instrumental soloing is minimized. Power pop songs are usually compressed and controlled by the powerful work of the rhythm section.

History

The term Power pop was first introduced by Pete Townsend, The Who guitarist: this is how he defined his band’s style in 1967. Things like “I Can't Explain”, “The Kids Are Alright”, “Substitute”, “I'm a Boy”, “Happy Jack”, “So Sad About Us”, “Pictures of Lily” are considered early classic power pop.

Pop-rock

Pop-rock (Pop N 'Rock) - a genre of music that combines elements of pop music and rock music.

Stylistics of the genre

The songs are characterized by a simple structure, catchy melodies, repetition of musical phrases (from the pop), but using electric guitars, drums and energetic melody (from the rock) as the main instruments. The severity can be different, from practically instrumental pop to very “heavy” compositions, but diluted with pop melodies. As a result, many groups have to justify that they are playing rock, while others are the opposite, that they do not play pop-rock.

Pop Punk

Pop punk is one of the basic subgenres of punk rock, characterized by a mixture of principles and instrumental section of typical punk rock with soft pop melodies and pop music techniques (as well as other “light” genres). Having appeared along with punk rock, pop-punk experienced a “new birth” and the largest (for punk rock in general) commercial success in the 90s.

History

The first pop-punks are the first punk rockers - the Ramones. For some of their songs, especially the early ones, the entertainment orientation, the absence of social problems and the general positive mood, which is so uncharacteristic for “dark” punk genres that appeared on the brink of 80s (such as hardcore and Oi!), were already characteristic. The very first "full-fledged" pop punk band became Buzzcocks, who managed to achieve a very light sound, combining the guitar pressure and air melodies characteristic of punk rock, compared to the rather brutal and unusual arrangement of the unprepared listener. based on pop rock and bubblegum pop 1960s.

Indie Pop - Sub Genre of Pop Music

Indie Pop is a subgenre and subculture of alternative rock / indie rock that appeared in the late 1970s in the UK. He was inspired by DIY punk ethics and was associated with punk ideology, spawned flourishing fanzines, indie labels, clubs and concert tours. Indie pop is different from indie rock in that it is more melodic, less abrasive and relatively not dreary. His subgenres include Twee-Pop and Chamber Pop.

Bubblegum Pop - a Kind of Pop Music

Bubblegum pop - a kind of pop music, which is characterized by catchy (often "sweet") melody, simple clear arrangement, built on repetitive elements and plain text, as a rule, the youthful, romantic, playful nature. Bubblegum, whose products are designed for children and young people, merges with the notion of "manufactory" pop music.

The music press is usually pokes fun bubblegum pop, "It is a form of popular music, which to an extent sickeningly sugary that I want to close up the ears of chewing gum" - a definition of bubblegum given in the
book «Book of Bad Songs» humorist Dave Berry.

Art-pop - Style In Pop Music

Art Pop (other variations of the names of artpop and art pop are also known) is a musical genre, a widely characterized style in pop music, inspired by pop art, integrated by elite and non-elite cultures and emphasized by manipulations with symbols, styles and gestures over self-expression. Art-pop artists are inspired by postmodernism turning to aesthetics, as well as other forms of art, such as fashion, fine art, film and avant-garde literature. Also, the genre may deviate from traditional pop audiences and rock music conventions, instead exploring such ideas as status in pop music as commercial art, concepts of artificiality and self, and issues of historicism.

Since the mid-1960s, British and American pop artists, such as Brian Wilson, Phil Spector, and The Beatles, have begun to incorporate the ideas of pop art movement while recording music.British art-pop musicians took inspiration from their studies from the Academy of Fine Arts, when in America art-pop relied on the influence of pop art by artist Andy Warhol and the group The Velvet Underground affiliated to him, and also intersected with the movement of singers and songwriters of folk music. Art-pop experienced its “golden age” in the 1970s thanks to such performers as David Bowie and Roxy Music, whose works embraced theatricality and disposability of pop culture.

Is There a Style of Music Like Pop Music?

Quite a lot of people say that pop music and popular music are one and the same. Then the definition can be given this:

Pop music is music that can be mass.

A musical style is a method of representation, delivery a musical work (and an action associated with it, like a concert, video clip, CD cover), corresponding to a certain idea.

The style demonstrates a commitment to certain ideological attitudes, the image of feeling, moral and emotional attitude. Simply put, there is an idea - there is a style.

Pop music: history, appearance, characteristic

Pop-music - the direction of modern music, a type of modern mass culture. It is a separate genre of popular music.

The main features of pop music as a mass culture are simplicity, vocals and rhythm, with less attention to the instrumental part.

The main and almost the only form of composition in pop music is the song. Pop music includes such subgenres as Europop, Latina, Disco, synthpop, dance music and others.